Jumat, 26 Juli 2013

[C670.Ebook] Download Ebook Palmistry: Your Career in Your Hands, by Andrew Fitzherbert, Nathaniel Altman

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Palmistry: Your Career in Your Hands, by Andrew Fitzherbert, Nathaniel Altman

  • Sales Rank: #1976734 in Books
  • Published on: 1990-05
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 208 pages

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Selasa, 23 Juli 2013

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  • Sales Rank: #12094696 in Books
  • Published on: 1991
  • Binding: Mass Market Paperback

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Sabtu, 20 Juli 2013

[Q734.Ebook] PDF Ebook Listen to ThisFrom William Morrow & Co Library

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Listen to ThisFrom William Morrow & Co Library

Thirteen stories with a fantastic element, some of a humorous nature, some traditional tales, and all suitable for reading aloud.

  • Sales Rank: #7461566 in Books
  • Published on: 1988-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.50" h x 8.25" w x .75" l,
  • Binding: Library Binding
  • 92 pages

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Kamis, 18 Juli 2013

[N360.Ebook] Download PDF Gilgamesh: A New English VersionFrom Stephen Mitchell

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Gilgamesh: A New English VersionFrom Stephen Mitchell

Gilgamesh is considered one of the masterpieces of world literature, but until now there has not been a version that is a superlative literary text in its own right.

Acclaimed by critics and scholars, Stephen Mitchell's version allows us to enter an ancient masterpiece as if for the first time, to see how startlingly beautiful, intelligent, and alive it is.

  • Sales Rank: #2339 in Books
  • Brand: Stephen Mitchell
  • Published on: 2006-02-01
  • Released on: 2006-02-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.44" h x .80" w x 5.50" l, .60 pounds
  • Binding: Paperback
  • 290 pages
Features
  • Gilgamesh A New English Version

From Publishers Weekly
The acclaimed translator of the Tao Te Ching and the Bhagavad Gita now takes on the oldest book in the world. Inscribed on stone tablets a thousand years before the Iliad and the Bible and found in fragments, Gilgamesh describes the journey of the king of the city of Uruk in what is now Iraq.At the start, Gilgamesh is a young giant with gigantic wealth, power and beauty—and a boundless arrogance that leads him to oppress his people. As an answer to their pleas, the gods create Enkidu to be a double for Gilgamesh, a second self. Learning of this huge, wild man who runs with the animals, Gilgamesh dispatches a priestess to find him and tame him by seducing him. Making love with the priestess awakens Enkidu's consciousness of his true identity as a human being rather than as an animal. Enkidu is taken to the city and to Gilgamesh, who falls in love with him as a soul mate. Soon, however, Gilgamesh takes his beloved friend with him to the Cedar Forest to kill the guardian, the monster Humbaba, in defiance of the gods. Enkidu dies as a result. The overwhelming grief and fear of death that Gilgamesh suffers propels him on a quest for immortality that is as fast-paced and thrilling as a contemporary action film. In the end, Gilgamesh returns to his city. He does not become immortal in the way he thinks he wants to be, but he is able to embrace what is.Relying on existing translations (and in places where there are gaps, on his own imagination), Mitchell seeks language that is as swift and strong as the story itself. He conveys the evenhanded generosity of the original poet, who is as sympathetic toward women and monsters—and the whole range of human emotions and desires—as he is toward his heroes. This wonderful new version of the story of Gilgamesh shows how the story came to achieve literary immortality—not because it is a rare ancient artifact, but because reading it can make people in the here and now feel more completely alive.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Mitchell's version of Gilgamesh should be the standard for general and classroom readers for the foreseeable future. It includes everything in the Akkadian texts, though shorn of some fragmentary passages and emended by Mitchell for clarity (extensive endnotes flag every change Mitchell makes and provide literal translations wherever Mitchell feels such would further illuminate meaning and spirit). The prologue and the closing page, both of which advert to Gilgamesh's great city of Uruk, are cast in five-beat lines, with the story per se in 11 books of four-beat lines. Mitchell manages both meters masterfully, writing verse that is musical and propulsive for all its "free" characteristics. The 66-page introduction interprets the entire poem as a philosophical fable as well as an engaging, episodic story, and not without describing some of the prosodic devices of the ancient Babylonian poem. Mitchell understands the poem to be overarchingly concerned with self-discovery and acceptance, with appreciating that humans are mortal, hence less than the gods, but also capable of love, and thus greater than mere gods. Ray Olson
Copyright © American Library Association. All rights reserved

Review
"Beautifully retold and a page-turner in the bargain. Like Seamus Heaney's recent retelling of Beowulf, this book proves that in the right hands, no great story ever grows stale."

-- Newsweek

"A flowing, unbroken version that reads as effortlessly as a novel...with startlingly familiar hopes, fears, and lusts. Mitchell...cracks open the lessons in Gilgamesh by rebuilding its clay fragments into a poem easy on the eyes and the transcultural imagination....Vibrant, earnest, unfussily accessible.... The muscular eloquence and rousing simplicity of Mitchell's four-beat line effectively unleash the grand vehemence of the epic's battle scenes, and the characters' ominous visions emerge with uncanny clarity."

-- The New York Times Book Review

"Utterly enthralling reading, thanks to Mr. Mitchell's skill and flair in recasting the ancient text."

-- The New York Sun

"Seamus Heaney isn't the only one intent on making the classics relevant to our times. Mitchell...offers a limpid retelling of this story about absolute power.... Its message of love, loss, and endurance [is] rendered in fresh, forceful language."

-- Los Angeles Times

"The mysterious, sinewy surge of his verse [is] thoroughly modern, yet an uncanny evocation of the primeval."

-- The Boston Globe

Most helpful customer reviews

5 of 5 people found the following review helpful.
Very interesting version of the Gilgamesh adventures
By sandy10m
I had not read the entire Gilgamesh story before, but I read some passages in high school English class. This is a great edition that ties together the fragments of the Gilgamesh story that have survived for thousands of years in a way that seems true to the way it was written in the original language and text. I enjoyed listening to the tales, and especially the commentary about the writing of this version and the research involved in piecing together the fragments. Enjoyable, especially for a long road trip.

7 of 7 people found the following review helpful.
A quiet overlay of moral ambiguity.
By Charles T. Bauer
Was captivated all month by the epic poem Gilgamish - (Mesopotamia 1000 BC) "The oldest story in the world." And the original "Bromance" or "Buddy Film". Lost until the 19th c. Found on many tablets (some of clay, some of Lapis).

My favorite character is the monster HUM-BABA who guards the Cedar Forest from ecologically destructive humans, but otherwise minds his own business and attends to his job of being ugly and dangerous, and it's all working just fine. Until now.

King Gilgamish and his new sidekick Enkidu (a former Wild Man recently civilized by seven days on top of a willing and eager temple priestess, richly described) decide they want fame, so, like many foolish young men, and the foolish governments that set them up, Gilgamish and Enkidu go on a pre-emptive monster-slaying quest.

From here flows a tale rich in very hard lessons, very hard won, but always with a quiet overlay of moral ambiguity.

One un-mistakable pleasure, repeated more than once, is that the closest anyone can come to immortality is not procreation (hardly mentioned, and by this time Gilgamish and buddy Enkidu are, interestingly, pretty much married), but by ***building*** and doing so for permanence, and for beauty, always using only the finest materials, and the finest craftsmanship, etc. The whole poem is, in the end, a quest for immortality, with many dead ends, but ARCHITECTURE turns out to be the best we can do.

(And, of course, leaving the Cedar Forest and HUM-BABA alone.)

5 of 5 people found the following review helpful.
Two - Two Gilgamesh for the Price of One.
By Peter B. Mason
This version of the great Babylonian epic Gilgamesh is immensely readable and lively, Mr. Mitchell's version does not try to overawe the reader but strives to make the material approachable, and at this he certainly succeeds. My own regret is that the editor/translator - Stephen Mitchell's introduction was so thorough and lengthy that it all but made the actual tale redundant. While informative, the introduction was too much of a blow by blow account to be labeled a proper introduction, it was rather a " synopsis en toto" {that's a term I just made up but I think you get the picture.

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Rabu, 03 Juli 2013

[M399.Ebook] Download Ebook The Watchers: Lost Secrets of Ascension, Resurrection and Perfection, by William Henry

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The Watchers: Lost Secrets of Ascension, Resurrection and Perfection, by William Henry

They are not human.
They are inter-dimensional beings who came from an otherworldly holy place called Sion.
They crossed a forbidden barrier, transformed or morphed into human form and freely mingled with humans.
They intervened in human affairs.
They created a hybrid race with humans.
They taught the art of building temple-portals with massive stones and the secret of transforming humans into angels or inter-dimensional beings.
They were punished as dangerous and subversive and labeled as fallen.
God sent a cataclysm to destroy them and their offspring.
Their temple-portals were disabled or destroyed.
Their teachings were declared heresy, forbidden.
They are the Watchers, the holiest race of alien beings.
We’ve been warned to stay away from them.
Most have.
We, however, will break through the barrier.
In this revolutionary exploration of the Watchers, the Angels of the Lord or the Holy Ones, we learn the story of the Watchers is the product of one of the greatest spiritual and literary revolutions the world has ever seen. It began during the 3rd century B.C. when a wave of apocalyptic Essene writings swept the Mediterranean world and came to fruition at the time of Jesus. From this epoch emerged a new hero, Enoch, ‘the Translated Man’, who was transformed into a being of light and joined the Watchers in heaven. The mystic secrets of ascension the Watchers gave Enoch have been sought for centuries. They were known and used by Jesus. In this thorough study, these secrets are considered, if not revealed.
In this heavily illustrated study, William proposes that the Watchers are Seraphim (“winged serpent” angels who are Type III beings on the Kardashev Scale of civilizations and have advanced, non-physical Rainbow Bodies of Light. They correspond to the Seven Rayed Naga “rainbow serpents of wisdom” of Buddhist tradition and the seven fish-cloaked Apkallu sages of Mesopotamia.
We explore the literary and historical evidence that the Watchers possess the secret of human transformation into angels. They came to earth on a mission to instruct humans in this transformation. Their teachings became the basis for the Christian concepts of ascension, resurrection and perfection.
This study changes the traditional perception of the Watchers and puts us on the true path to discovering their secrets.
Can souls return to their Source (God’s Throne)?
Can a human transform into an angel or become equal to an angel? Are we all fallen angels/aliens?
Can a human ascend to godhood? Can any one learn to do this on their own? If so, what skills are required?
Is a direct connection with God possible?
If so, who initiates this encounter? Does God?
Or, can a human take it upon them self to ‘call’ God?
Is there a cosmic conduit linking earth with Sion?
Can humans achieve perfection?
The Watchers addresses these questions and more.

  • Sales Rank: #93833 in eBooks
  • Published on: 2015-11-06
  • Released on: 2015-11-06
  • Format: Kindle eBook

Most helpful customer reviews

7 of 7 people found the following review helpful.
He's one of the most amazing investigative mythologists I've ever come across
By Kat Starwolf
If William Henry wrote it, I've read it. Or will. He's one of the most amazing investigative mythologists I've ever come across, and I read A LOT. If you're following a thread on Angels, ascension, or even mystery schools, Lost Secrets of the Watchers should certainly be part of your bibliography. Kudos to William. Once again.

6 of 6 people found the following review helpful.
The art is great.
By terry baker
I love all of William Henry's books. This one is perhaps less cohesively written than most of his earlier works but anyone who is interested in art and myth should find it worth the read. The art is especially nice lit up on a Kindle.

4 of 4 people found the following review helpful.
I enjoyed the research and history of the period from Enoch ...
By Amazon Customer
I enjoyed the research and history of the period from Enoch to Jesus. The beginning was full of rich history and facts. The ending was more of the authors belief and leads in to his perception of the Watchers Purpose. Overall, it was a good and easy read.

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Senin, 01 Juli 2013

[P304.Ebook] Fee Download Patternmaking in Practice: A Step by Step Guide, by Lucia Mors de Castro

Fee Download Patternmaking in Practice: A Step by Step Guide, by Lucia Mors de Castro

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Patternmaking in Practice: A Step by Step Guide, by Lucia Mors de Castro



Patternmaking in Practice: A Step by Step Guide, by Lucia Mors de Castro

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Patternmaking in Practice: A Step by Step Guide, by Lucia Mors de Castro

This authoritative and user-friendly book provides the essential know-how for anyone taking their first steps in fashion design and provides indispensable tips and tools for more experienced practitioners. A fully illustrated step-by step guide with simple text explains the basic foundations to putting together key fashion pieces from scratch.

  • Sales Rank: #1619029 in Books
  • Brand: Brand: Promopress
  • Published on: 2011-07-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.75" h x 8.50" w x .50" l, 1.70 pounds
  • Binding: Hardcover
  • 120 pages
Features
  • Used Book in Good Condition

About the Author

Cristian Campos is an editor and journalist who specializes in design, comics, illustration, and music. Former editor-in-chief of H magazine, he regularly contributes to publications, such as Rolling Stone and Man. He is the author of more than ten books, including Plastic and Product Design Now.

Lucia Mors de Castro and Isabel Sanchez Hernandez

Most helpful customer reviews

50 of 50 people found the following review helpful.
A real review of Patternmaking in Practice
By Concerned about our kids
I've been in contact with the author, and I've made the basic skirt blocks and bodice blocks using this book, so my review is more than just opinion. :)

I recommend the book overall for the following reasons:

Primarily, Ms. Lucia uses the German pattern drafting style and the metric system, which I believe is one of the best pattern making styles available, and why I chose to use her text. I also have her previous book. This new edition contains slightly better instructions (translation issues continue, however) and more information for the beginning pattern maker.

My background: I've sewn for about 30 years, but have never made my own patterns. This text is very inexpensive compared to others on the market.

The author is a great lady who is very helpful. She's currently in Berlin going to school, and she explained to me that she's had a lot of trouble with the translators putting her books into English, and it shows. The translation problems probably explain the majority of issues with the book and her earlier volume.

The following are the problems I've ran into using the text.

1. EASE: I've successfully made a very well-fitted skirt for my daughter using the author's directions. However, it took 3 attempts to do so. First attempt using the book's 1 cm ease allowance for the skirt produced a second skin that my girl would never have been able to sit down in. I found that you need about 2.5 cm minimum of ease in the skirt half to get a decent fit. (So, if your waist is 100 cm in circum, half would be 50, plus at least 2.5 cm for a total of 52.5 across widest pt to make the CF and CB skirt blocks.)

The bodice came out nearly perfect the first time to my relief ;). And the German method of making sleeves gives you full range of motion, so I expect that to turn out fine, as well.

NOTE: I'm using my "second skins" to make a dress form cover for my daughter over my current dressform. All I need to add is the batting wrap under it and I have a pretty accurate form for her. I'll just make a tighter version of the bodice and I'll be in business!

2. DARTS PLACEMENT: I found that the darts on the skirt ended up too close to the side seam. To fix, I drew the curved side seam FIRST with my hip curve *before* I measured 8 cm to the left for dart A, and to the middle btwn the curved side seam and the folded edge for dart D (and curved side seam to dart D for dart C). The book just says side seam and implies the initial, vertical/straight side seam before using your hip curve, and this could be an error with the translators. ??

The dart sizes and lengths for both skirt and bodice were just fine in the text.

3. MEASUREMENT CHART: The BAW in the chart is for only half of the width of the back, not the entire width. This should be noted in the text. The author also explained that there was a translation problem concerning the difference btwn hip depth and individual hip depth. The individual hip depth is simply from the waist down to the hip line, about 19-22 cm, but the hip depth on the chart represents the measurement from the neck vertebrae to the hip line down the middle of the back.

4. BODICE CONSTRUCTION: Make sure you study and ADJUST the initial measurements she provides in her 12/14 example in the beginning TO PREPARE FOR YOUR BODICE. There were just 2 errors I found making the bodice--in the example and instructs on page 67: 1/2 WAC + 2 cm and 1/2 HC + 1.5 cm should be changed to 1/4 WAC + 2 cm and 1/4 HC + 1.5 cm, respectively.

I hope this helps someone else. Aside from the translation issues and a few missing explanations, it's an excellent book since it covers basic draping techniques of skirt and bodice as well as creating blocks, also, tips on sewing and construction, alterations, etc. I wish I could have given it 5 stars, but I believe she needs a new translator and a better editor to catch the mistakes. She said she was limited to 120 pages and would have like to have covered more, like making pants. Maybe in her next book??

19 of 19 people found the following review helpful.
Patternmaking in Practice by Lucia Mors
By theresa in tucson
I've got one of her other books and found I had to refer back to it for an explanation of a symbol used. She uses the % sign not as a percent but to indicate minus, or subtraction as AD (armhole diameter) is 1/6 of BC (bust circumference) % (minus) 2.5 cm. No place in the text in this book is that explained. It was, however, in the other book I have. The two books are similar but not alike. This is not a beginner book but for someone with some experience.

2 of 2 people found the following review helpful.
Patternmaking
By M. Todd
This book is totally Awesome! The best book ever for helping an individual in drawing and improvising patterns. Gthank You!reat Price! Great shape! More informative and practical application than buying one of those super expensive books that really don't help very much! I Love IT! Recycling books is Great and the money for the book goes for a Wonderful effort to help those in need!

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