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The Magician, by W. Somerset Maugham
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W. Somerset Maughan was one of the Britain's most famous playwrights of his time, and this is one of his most beloved works.
- Published on: 2016-01-16
- Dimensions: 9.00" h x .31" w x 6.00" l,
- Binding: Paperback
- 134 pages
About the Author
William Somerset Maugham was an English author, playwright, and doctor best known for the semi-autobiographical novel Of Human Bondage. Orphaned at a young age, Maugham was raised, unhappily, by his uncle, who urged him into a medical career despite his talent and interest in writing. Maugham gave up his career in medicine after his first novel, Liza of Lambeth, sold out its initial printing in several weeks, and next ventured into playwriting with Lady Frederick, which was such a success that by the following year Maugham had four plays running simultaneously. Maugham worked for the British Secret Service during the First World War, travelling all over the world before making his home in the south of France after Second World War and using his experiences as inspiration for new stories. Before his death in 1965, Maugham published many more successful novels including The Letter and The Razor s Edge, both of which were adapted into feature films. Maugham has been remembered as one of the most influential and successful writers of his era, and is believed to have been the highest paid author of the 1930s.
From AudioFile
This third novel in the Amelia Peabody series once again takes the listener to Egypt and its ancient ruins. Who better than author/Egyptologist Elizabeth Peters to concoct a turn-of-the-century mystery in which humor, romance, and an archaeological dig come together. Susan O'Malley's narration is adequate. Amelia and her husband, Emerson, investigate the death of an antiquities dealer and the theft of a mummy case. Their son, Ramses, collects his own amusing evidence. The scenes and pace of the novel are kept intact, but the narration noticeably lacks the ethnic accents that enliven these stories. B.J.L. � AudioFile 2001, Portland, Maine-- Copyright � AudioFile, Portland, Maine
Most helpful customer reviews
28 of 28 people found the following review helpful.
A Neglected Gem
By Bruce Kendall
This is one of Maugham's least-read works, judging from its absence in most bookstores and libraries. Of Human Bondage, Cakes and Ale, The Moon and Sixpence are usually fairly easy to locate on most shelves. You must do a little digging to find this one, but it will reward your efforts.
At the center of the book is Oliver Haddo, who, as you can tell from the other reviews here, is based entirely and without much thought of disguise upon Aleister Crowley, the London necromancer. The plot is indeed pure melodrama, the virginal fiance drawn irresistibly towards her doom by dark forces against which there appears to be no defense. Think of Bram Stoker, or Coppola if you haven't read the novel. Will our hero somehow find a way to overcome the great odds and emerge victorious? Will Haddo succeed in his plan of evil debauchery? Stay tuned for the heady conclusion.
What saves The Magician from sinking into the morass of its conventional and even hackneyed plot is the quality of Maugham's writing. We are aware at all times that we are in the hands of an accomplished writer and artist, who can turn a tired theme into an event of wit and real pathos. At times the scenes are in fact quite chillingly rendered as well. There is real suspense here, as well as some startlingly weird and realistic depictions of the occult. The scene that comes most readily to mind is Haddo's creation of the homonculi, some home-grown little fiends he cooks up in a test-tube. Many of the scenes have a surreal edge to them, but are grounded in enough realistic detail to lend them plausibility at the same time.
I would recommend this book to those who have read and enjoyed Maugham's other works, as well as to anyone who enjoys books about the occult or to fans of horror novels (of which there are legion). It's an easy and fun read and is frightening enough that it just might have you looking over your shoulder the next time you're dining in a London restaurant, double-checking to see if Haddo might not be sitting somewhere across the room. Then again, these days, a lot of women probably hope that he is.
18 of 19 people found the following review helpful.
A gripping horror tale from a master stroyteller
By R. J. Marsella
This is possibly the strangest of all Maugham novels that I've read. It starts innocently enough with the type of sophisticated turn of the century Parisian characters that populate much of his fiction. The characters are lucidly established and we are slowly drawn into their relationships and longings in typical Maugham fashion. Then we are introduced to the strange eccentric character of Oliver Haddo and with each of his subsequent appearances the theme of lurking evil is masterfully developed. The plot then takes over in a way that I felt was unique for Maugham and this novel turns into a suspenseful page turner. It is in someways reminiscent of Dracula. The climax builds relentlessly and the last half of the book is virtually impossible to put down once it's begun. Wonderfully blends a horror tale with the cultural sophistication of all Maugham's writing.
11 of 11 people found the following review helpful.
A literate page turner
By Nicholas R. Hunter
Maugham's elegant prose, his mastery of dialog, and his uncanny ability to sketch living, breathing, three dimensional characters in a few sentences serve him well in this gripping tale of the life and crimes of the evil Oliver Haddo and the handful of unlucky na�fs who fall under his spell in Paris at the turn of the last century.
Unlike many of Maugham's other novels, the appeal of "The Magician" owes as much to the tight plotting as to the characterizations. In particular, the character of the deliciously wicked Oliver Haddo, based on the infamous Aleister Crowley, "the wickedest man alive," jumps off the page. However, like Bram Stoker's "Dracula" (a book that in structure "The Magician" resembles more than a little) the plot can sag slightly when the villain is off-stage. Luckily, this is never for more than a handful of pages.
Still surprisingly fresh and readable nearly a hundred years after its first publication, this book will appeal as much to the literate horror fan as to the typical "Twentieth Century Classics" reader.
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